John R. Coplans
Born: 1920
Died: 2003
Over a period of seventeen years, John Coplans photographed parts of his body, often in extreme close-up shots, to create a collective self-portrait. This photograph dates to the first year of the project when Coplans was sixty-four. Like two massive columns, he captures his two feet as he draws them close and raises them to put his weight on his toes. It is a candid document of an older man’s feet that reveals the wrinkles, veining, rough skin, vertical scab, small tuffs of hair, and the thick, somewhat discolored and jaggedly cut or picked toenails. Coplans presents his feet as they are, with no apologies for how unsightly they might strike the viewer. Yet, if we are drawn to them, why?
Taking the series as a whole, Coplans tracks his body as it ages. In an age that prizes the beauty of youth, he makes himself vulnerable as he divulges a less-than-ideal—but very human—body. If because of our culture we sometimes deny the physical realities of our bodies and aging, Coplans embraces them. In exposing himself, he exposes us all to the fragilities of our physical selves. Perhaps he asks us to remember the brevity of life and to treasure who we really are—physically and spiritually.
Artworks
Self-Portrait: Feet Frontal
1984
Brooke and Irving
1982
Halloween, N.Y.C.
1982
Mummer’s Parade
1982
Rotko Family
1981
Bee
1981
Marcella and Son
1981
Chuck
1981
Marcella
1981
Ealan
1981
Edward
1980
Marge and Susan
1980
Lucienne II
1980
Helena
1980
Irving
1980
Bhupendra
1980
Daniel
1980
Catherine
1980
Mira
1980
Untitled
1957