Käthe Kollwitz
Born: 1867 (Königsberg (now Kaliningrad, Russia))
Died: 1945 (Moritzburg, Germany)
Käthe Kollwitz figures among the most important of German Expressionist artists of the early twentieth century. A sculptor and printmaker, she stands outside the organized movements of Brücke and Der Blaue Reiter in her more realist leanings. Still, she held in common with many artists of the German avant-garde a deep concern for the social issues of the day, especially, in her case, the industrial poor and victims of the crushing economic conditions in Germany after World War I that led to the Nazi takeover in the early 1930s. One of her most moving themes was the distraught mother cradling a sick or dying child, often under the shadow of a menacing death figure. There are few figures in the modern tradition who speak so eloquently to human tragedy as Kollwitz. She is best known for her powerful black-and-white etchings and lithographs that place her among the most important printmakers of her age.
Artworks
Die Zertretene [The Downtrodden]
1900
Nachdenkende Frau [Woman Reflecting]
1920
Selbstbildnis im Profil Nach Rechts [Self Portrait in profile to right]
1938
Weberzug [March of the Weavers]
1897
Die Carmagnole [The Carmagnole]
1901
Tod und Frau [Death and the Woman]
1910
Beim Scythe [Whetting the Scythe]
1905
Das Opfer [The Sacrifice]
1922/1923
Tod [Death]
1897
Not [Despair]
1897
Zwei Schwatzende Frauen mit zwei Kindern [Two Chatting Women with Two Children]
1930
Call of Death (Ruf des Todes)
c. 1937
Tod und Frau, um das Kind ringend [Death and the Woman Struggling for a Child]
1911
Mütter [The Mothers]
1919
Ende [The End]
1897
Tod, Frau, und Kind [Death, Woman and Child]
1910
Kampfe [Struggle]
1893
Sturm [Riot]
1897
Gefallen [Killed in Action]
1921
Mutter mit Kind auf dem Arm [Mother with Child in Arms]
1910
Überfahren [Run Over]
1910
Schlachtfeld [Battlefield]
1907
Tod und Frau, um das Kind ringend [Death and Woman Struggling for a Child)]
1911
Sitzender Mannlicher Akt [Nude Man Sitting]
1891
Frau mit Ubereinandergelegten Handen [Woman with Folded Hands]
1898
Selbstbildnis [Self-Portrait]
1912
Tod, Frau und Kind [Death, Woman and Child]
1910
Maria und Elisabeth [Mary and Elizabeth]
1928
Das Warten [The Wait]
1914
Losbruch [Outbreak]
1902
Die Gefangenen [The Prisoners]
1908
Brot! [Bread!]
1924
Abschied und Tod [Farewell and Death]
1923/24
Mutter mit Jungen, seine Arme um ihren Hals [Boy with Arms around Mother’s Neck]
1931
Die Pflüger [The Ploughmen]
1906